Anderson, Melanie R. | Spectrality in the Novels of Toni MorrisonSpectrality in the Novels of Toni Morrison

Spectrality in the Novels of Toni Morrison



Anderson, Melanie R.



Cloth Edition, $39.00s
Cloth ISBN: 1-57233-858-X
Status: In Print
Publication Date: 2/28/2013

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Description

At first glance, Beloved would appear to be the only “ghost story” among Toni Morrison’s

nine novels, but as this provocative new study shows, spectral presences and places abound

in the celebrated author’s fiction. Melanie R. Anderson explores how Morrison uses specters

to bring the traumas of African American life to the forefront, highlighting histories and

experiences, both cultural and personal, that society at large too frequently ignores.

Working against the background of magical realism, while simultaneously expanding

notions of the supernatural within American and African American writing, Morrison

peoples her novels with what Anderson identifies as two distinctive types of ghosts: spectral

figures and social ghosts. Deconstructing Western binaries, Morrison uses the spectral to

indicate power through its transcendence of corporality, temporality, and explication, and she

employs the ghostly as a metaphor of erasure for living characters who are marginalized and

haunt the edges of their communities. The interaction of these social ghosts with the spectral

presences functions as a transformative healing process that draws the marginalized figure

out of the shadows and creates links across ruptures between generations and between past

and present, life and death. This book examines how these relationships become increasingly

more prominent in the novelist’s canon—from their beginnings in The Bluest Eye and Sula, to their flowering in the trilogy that comprises Beloved, Jazz, and Paradise, and onward into A Mercy.

An important contribution to the understanding of one of America’s premier fiction

writers, Spectrality in the Novels of Toni Morrison demonstrates how the Nobel laureate’s

powerful and challenging works give presence to the invisible, voice to the previously

silenced, and agency to the oppressed outsiders who are refused a space in which to narrate

their stories.

Melanie R. Anderson is an instructional assistant professor of American literature at the

University of Mississippi.

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