Spectrality in the Novels of Toni Morrison
Anderson, Melanie R.
Cloth Edition, $39.00s
Cloth ISBN: 1-57233-858-X
Status: In Print
Publication Date: 2/28/2013
DescriptionAt first glance, Beloved would appear to be the only “ghost story” among Toni Morrison’s
nine novels, but as this provocative new study shows, spectral presences and places abound
in the celebrated author’s fiction. Melanie R. Anderson explores how Morrison uses specters
to bring the traumas of African American life to the forefront, highlighting histories and
experiences, both cultural and personal, that society at large too frequently ignores.
Working against the background of magical realism, while simultaneously expanding
notions of the supernatural within American and African American writing, Morrison
peoples her novels with what Anderson identifies as two distinctive types of ghosts: spectral
figures and social ghosts. Deconstructing Western binaries, Morrison uses the spectral to
indicate power through its transcendence of corporality, temporality, and explication, and she
employs the ghostly as a metaphor of erasure for living characters who are marginalized and
haunt the edges of their communities. The interaction of these social ghosts with the spectral
presences functions as a transformative healing process that draws the marginalized figure
out of the shadows and creates links across ruptures between generations and between past
and present, life and death. This book examines how these relationships become increasingly
more prominent in the novelist’s canon—from their beginnings in The Bluest Eye and Sula, to their flowering in the trilogy that comprises Beloved, Jazz, and Paradise, and onward into A Mercy.
An important contribution to the understanding of one of America’s premier fiction
writers, Spectrality in the Novels of Toni Morrison demonstrates how the Nobel laureate’s
powerful and challenging works give presence to the invisible, voice to the previously
silenced, and agency to the oppressed outsiders who are refused a space in which to narrate
Melanie R. Anderson is an instructional assistant professor of American literature at the
University of Mississippi.
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